Laura Phillips / Mark Vernon duo


Laura Phillips & Mark Vernon duo – live at the Bristol Exchange 29th September, 2021.

Performance to plug the launch of the ‘Sonograph Sound Effects Series Vol.2: Public & Domestic Plumbing & Sanitation’ LP on Calling Cards Publishing.

Laura Phillips: Live 16mm and video projections, hacked and amplified projector and waterphone.

Mark Vernon: Field recordings, pipes, tubes, drips, hydrophone, aquarium water pump, soap suds, popping candy and live processing.

Manja Ristić / Mark Vernon duo


On October 15th Art Radionica Lazareti, Dubrovnik hosted the first improv encounter of Manja Ristić and Mark Vernon.

Found sounds & tape loops, field recordings & objects, electromagnetic mics & hydrophones, cardboard box & wheelchair wheel, violin & balloon, toy drum & feedback – are only some of the means which they used for sculpting phantasmic sonic narratives in their attentive and dynamic musical exchange.

Leonie Roessler & Mark Vernon – Light Cloud and a Moderate Disease



A meditation on memory and clarity – attachments to objects, people and places, losing and finding things, letting go of things, the blurring of edges and the obfuscation of meaning.

Produced during a micro-residency at Studio LOOS, Den Haag in September 2022.
A studio LOOS production by Leonie Roessler & Mark Vernon.

Radio LOOS is the radio branch of Studio LOOS. It is a regular feature presenting music and sound art that is either produced at Studio LOOS, or coming out of its (inter)national network. The focus is on art radio, community, and connecting communities.

First broadcast on Radiophrenia, September 2022.

Keeping Time

“Spare compared to Poème Symphonique, and, as a consequence, more dynamic. Anomalous bells and dings make guest appearances and ring over the usual ticking suspects: the rhythmic foundation: the thuds in the wood. Spring-loaded fever with disco sensibility. Polyrhythmic paradise. The resort is captivating, in spite of its must, like an esoteric library or a dime museum. One could stay in this showroom forever, zoning out on the fathers of time, occasionally catching a glimpse at an endangered species.” *

Keeping Time is a 22-hour-long meditative radio work that focuses on our perception of the passage of time and how time is measured. The piece combines durational recordings of clock workshops around the UK and beyond with a specially constructed ‘radio clock’ painstakingly created from 3,600 individual percussive sounds – one for each second of the hour – plus excerpts from interviews with some of the horologists who generously gave up their time for this project.

It was originally commissioned by Radio Art Zone for Esch City of Culture 2022. Radio Art Zone was an epic 100-day long radio marathon in which 100 different artists each presented a 22-hour-long radio work.

Listen to the full 22-hour-long programme and view the documentation of the project on the dedicated webpage here.

There is something uniquely hypnotic about the constantly shifting polyrhythmic ticking of a room full of clocks. I first became aware of this when I randomly encountered my first clock workshop in Derry, Northern Ireland. As someone who finds the sound of a single clock ticking in a room unbearable I was surprised at how, en masse, a collection of clocks ticking together was both oddly restful and intensely engaging. After much intense listening, I am still unsure if I am perceiving micro-shifts in the timings between clock mechanisms that make them slip in and out of phase with one another or if this is entirely a phenomenon of my fluctuating focus and attention.

Keeping Time is a meditative radio work that focuses on our perception of the passage of time and how time is measured. The piece is comprised of three different elements that alternate throughout the piece.

The main component is a series of durational field recordings made in several different clock repair workshops or clock showrooms around the UK and beyond. Some are unattended overnight recordings with no human presence, others have been captured whilst the shops are open and include the sound of any of the daily activities that entails.

The second element is a kind of ‘radio clock’ painstakingly made from 3,600 individual percussive sound samples recorded by myself to create every tick of the second hand in an hour-long period. These percussive sounds were made using a vast assortment of improvised beaters, surfaces, everyday objects, and instruments, and each sound is unique. Additionally, home-made chimes and strikes played on pots and pans sound on the hour and quarter hour.

The final component is a series of short, semi-documentary, radio pieces featuring close-up recordings of individual clocks from various workshops, winding, repairs, clock demonstrations, and conversations with some of the many horologists who generously gave up their time for this project, beginning with one simple question – “How does your occupation affect your perception of time?”

All of these segments are punctuated by recordings of hourly chimes from public clocks in towns and cities around the world drawn from my personal archive of field recordings played back on a Dictaphone.

Recordings were made with the following Horologists in their workshops:
Tony Nuttall, Cumbria Clock Restoration, England.
Kenneth Chapelle, Antique Clock Restorer, Glasgow, Scotland.
Unknown clock workshop, Derry-Londonderry, Northern Ireland.
Dalibor Lebarović, Urar Dalibor Lebarović, Zagreb, Croatia.
Brian Cathcart, Clyde Clocks, Clydebank, Scotland.
Lucas Marijnissen, Lucas Clocks, Edinburgh, Scotland.
Jon Reglinski, James Ritchie Clockmakers, Edinburgh, Scotland.
Uhren Museum, Vienna, Austria.

The piece was first aired at 2pm CEST on Sunday 10th July on Radio ARA 87.8FM in the South Luxembourg area and online via the stream at Radio ARA or Resonance Extra.

* Rick Weaver on ‘The Clock Showroom’ – an earlier incarnation of ‘Keeping Time’

For more details visit the Radio Art Zone website.

Essential Blends

Back in December I was pleased to have been interviewed by Adriana Minu for the Essential Blends podcast. The interview covers many different areas of my arts practice including how I got involved with radio, working with found tapes and the origins of how I first began working with sound.

The podcast episode is now available online here.

Essential Blends is a podcast created by University of Glasgow music researchers Adriana Minu and Kevin Leomo. The podcast aims to bring forward other artist practitioners from various disciplines, both within and outwith academia, in order to uncover some possibilities of practice that others might find inspiring in a conversational and informal format.