Trouble Tracer is a new collaborative project from Mark Vernon and Fritz Welch. Their debut release, ‘Autofahrt’ is available now from Crow Versus Crow
as a limited edition of 50 hand-numbered, professionally dubbed cassettes and digital download with original artwork from Fritz Welch. Purchase your copy here.
Looking to identify the symptoms to understand where the problem lies?
Our handy Trouble Tracer® guide offers clear audio examples that will help you diagnose the problem. Whether it be Corona Discharge Stains, Cold/Carbon Fouling, Pad Contamination, Flash Over, Ash Deposits or Detonation we are here to help!
Facing ignition issues?
At Trouble Tracer® we know one thing: quality is in the details. And what is true for technological developments is true for adequately identifying issues and matching them with the appropriate solution.
At Trouble Tracer® we also believe that accuracy is best attained by working together. That’s why we openly share solutions and lay out in a to-the-point and concise manner a reliable way to diagnose contamination, wear, damage and other potential issues, and how to best return to the ideal standards of performance and efficiency we work with dedication to maintain. The Trouble Tracer® guide doesn’t always give you enough information for you to know exactly what’s wrong, but it does mean that you can eliminate everything from the input to the point where the signal changes. It’s important to understand that when fault finding, any anomalous voltage is a symptom of the fault, and is not the fault itself.
With its unique patented technology, Trouble Tracer® produces audio and visual signals that technicians easily catch when they tap the target. But nevertheless, it does not require bending, cutting, freezing or any other actions that can damage cables.
Autofahrt is ideal for individuals that have difficulty in differentiating between static and leak noise on an electronic listening stick!
“…there are other noises that can spell trouble, are just irritating, or that can be expensive. How can we tell the difference? It’s certainly not easy. It obviously helps if you can identify the sound and where it’s coming from.”
Sarah H. Sanders
“All of these noises you heard were recorded in the Meagre Resource Workshop and have since been cured. Regular listeners will find out how all these jobs and repairs can be tackled in a way that’s easily understood. Everybody should know these sounds.”
Big Jack Hay
Thanks for listening! And remember: Cause – Remedy – Solution!
At the kind invitation of Counterflows
and the Goethe Institute
, Radiophrenia’s Mark Vernon and Barry Burns were invited to select a German artist to collaborate with on a new sound piece.
Having heard some of Berlin based sound and radio artist Antje Vowinckel’s exceptional works submitted to previous editions of Radiophrenia, they invited her to participate. All three artists share a passion for the possibilities of the medium of radio and a fascination for the rhythms and cadences of speech.
The resulting work should have been presented as part of Counterflows 2020 but unfortunately that was not to be. They are now working together on a longer term project for Counterflows 2021 but in the meantime Vernon & Burns in collaboration with Vowinckel have created an unorthodox sideways radiophonic portrait of the artist and her practice. The eccentric approach in the resultant audio collage is not intended as an accurate portrait of Vowinckel, more as an impressionistic overview with interventions and twists on the conventional form; thoughts and meditations on the act of purposeful listening and sound creation.
You can hear the piece and read more about the process on the Counterflows website here. It will also be broadcast on Radiophrenia at 10am on Friday, 20th November.
A series of concerts conceived for the radio and transmitted exclusively on the radio…
Mark Vernon – Call Back Carousel: Voyages en Grèce
Tuesday 18th August, 2020
8pm (berlin time)
Broadcasting on Freie Radio Berlin
Berlin Brandenburg / Colaboradio
88,4 MHz in Berlin or
An audio time-travelogue. A found sound road trip. A vicarious vacation.
The basis of this piece is a found reel-to-reel tape labeled ‘Voyage Grèce en 1972’ bought from a flea market in Brussels 15 years ago. As might be expected it is a document of a Belgian family camping holiday to Greece. One side of the tape is an audio diary of sorts documenting the trip moment by moment, much of the time recorded in the car in between destinations it seems. This side runs to an epic 3 hours on long play. The other side is a recorded slide show commentary over a backdrop of traditional Greek music at a more modest 2 hours. Although it becomes apparent that there is a wife (referred to only as ‘bobonne’) and child in tow we only ever hear the voice of the father. They don’t even appear in the background. Maybe they were mic shy or maybe they were just never given a look-in. Either way their absence on the tape is perplexing.
I had been invited to Brussels this summer to make a new radio piece for Radio Picnic’s ‘Musica per la radio’ series. I was also supposed to be going on a family holiday to Greece but because of obvious circumstances neither trip has happened. Out of necessity the production of this radiophonic excursion has been my way of taking a holiday without travelling anywhere – a sonic souvenir from a vicarious vacation.
In the composition of the piece excerpts from the tape have been combined with my own field recordings from holidays in Greece decades later in 2005 and 2015. Holiday memories of Greece from different times have been transposed on top of one another, intermingle and become confused. In addition, improvisations with a collection of objects selected for their sound making properties that were bought from the flea market at the same time as the tape have also been incorporated.
Special thanks to everyone who helped me with translations: Elina Bry, Selene Mauvis, Jonathan Frigeri, DinahBird, Anne-Louise Kieran, Sonia Dermience, Inès Guffroy and Meryll Hardt.
Extra thanks to Elina Bry for additional Athens field recordings.
A project by Radio Picnic with the kind support of the Swiss Foundation for Radio and Culture and Pro Helvetia.
At the invitation of Alvaro Daguer of Chile’s Cosmovisión Registros Andinos
and ETCS Records
(and the band Glorias Navales) I was asked to take part in an interview and put together an hour-long mix of some of my favourite Glasgow artist and musicians. Alvaro has conducted interviews with a number of artists from Chile and further afield who are part of the ETCS / Yellow Moon / Cosmovision Andinos roster that will be brought together in a fanzine. The focus is on different perspectives of the affects of the COVID-19 crisis in different parts of the world. Copies of the fanzine will be given away with all tape purchases and all of the artists mixes are available on Mixcloud
Full track list below:
ETCS Guest Mix – Mark Vernon
01) Klaysstarr – reek (More No Place / ucorridor Recs)
02) Apostille – It’s Not Right (Alert / Alter)
03) Rob Churm & Joe Howe – The Great God Pan (unreleased)
04) Comfort – Better Need Assumptions (Not Passing)
05) Kübler Ross – Go On Your Way (Kübler Ross / Akashic)
06) Soft Tissue – Gesine 2 (Soft Tissue / Penultimate Press)
07) Hanna Tuulikki – Spinning-in-Stereo (Spinning-in-Stereo)
08) Luke Fowler & Richard McMaster – Twilight of the Rock Gods (excerpt / unreleased)
09) Klaysstarr – music (More No Place / ucorridor Recs)
10) Trouble Tracer – Clean Flow Morrow (unreleased)
11) Toi-So – Baby (unreleased)
12) Bell Lungs – Phosphodenderophobia (Phosphodenderophobia / Bandcamp)
13) The Modern Institute – Arabic Eight (The Modern Institute / Night School)
14) Sarah Kenchington & Daniel Padden – Tapered Things (The Bellow Switch / Shadazz)
15) Nichola Scrutton – Lateral (Bandcamp)
16) Cucina Povera – ZOOM0015 (Zoom / Night School)
17) Ellen Huynh & Mark Vernon – Stirring into the Awakening (unreleased)
18) Mark Vernon – Ill Fitting Rooms (unreleased)
19) Lucy Duncombe with Kenneth Wilson – And If I Was A Word… (excerpt / unreleased)
20) Sue Zuki – Every Conversation (We Are All Very Anxious / Domestic Exile)
21) Klaysstarr – ubiety (More No Place / ucorridor Recs)
22) Total Leatherette – Metro Boomer (For the Climax of the Night / MILK Records)
23) Vernon & Burns – The State Dismantling Corps (From the Cable to the Grave / Akashic)
24) Ela Orleans – Homily (Low Sun / High Moon / Setola Di Maiale)
25) Soft Tissue – Feedback (Soft Tissue / Penultimate Press)
26) Cyril Lamar – Kata (unreleased)
27) Streets of Glasgow – field recording
A new radio piece created especially for the Amplify 2020: Quarantine Festival – As the world has increasingly been forced into isolation, Amplify and Erstwhile Records boss, Jon Abbey, began planning an online festival of newly recorded pieces from sound artists around the world. At the invitation of Penultimate Press’s Mark Harwood my contribution is number 156 in the series.
The Dominion of Din is a radio play made out of recordings from a single fixed perspective over an eighteen-year period. It is created entirely from field recordings made out of the rear window of my flat in the West End of Glasgow. In essence, it’s a catalogue of exterior sounds that have annoyed, disturbed or angered me over the years living at this residence – and sounds that have largely disappeared during lockdown. My go-to method of dealing with nuisance noise is to record it. A sort of recording banishing ritual. The hope being that one day I would be able to utilise these sounds in some way, converting these sources of irritation into something positive.
The piece includes now familiar soundmarks such as the daily delivery of beer barrels to the local pub, the shattering of glass bottles as they are emptied into recycle bins at night and the weekly maintenance of neighbours gardens that always seems to require extensive use of a leaf blower no matter what the season. More irregular sources of nuisance noise appear in the form of workmen erecting scaffolding, magpies nesting on the side of the house, drunken outdoor singalongs, overflowing guttering and a faulty burglar alarm that didn’t stop for three days solid over one memorably torturous bank holiday weekend. The irony is that on the only occasion that these sounds have ceased for any length of time I’ve spent several weeks doing nothing but listen to them over and over again.
The pub has made use of this time to create a beer garden at the back of our flat now so at least I have fresh impingements on my peace to look forward to as things begin to return to normal.
Source sounds recorded in Glasgow between 2002 and 2020.
Composed between May 20th and June 20th, 2020.
As some opportunities disappear others present themselves. I am very pleased to have been invited to take part in a new radio show collaboration with French sound artist Elen Huynh this month. The first 15 minutes of the show was collaged together by Elen from my archives – the remaining 45 minutes is all new collaborative material created by passing recordings back and forth online over the past month or so.
You can hear the show live on LYL Radio this Tuesday, 16th June. More details below:
LYL Radio – 16/06/2020 • 9PM – 10PM (CET)
WITH ELEN HUYNH & MARK VERNON
Elen Huynh nous propose d’écouter 1 heure de composition sonore et vocale faite avec son invité Mark Vernon, artiste radio et producteur basé à Glasgow, pour sa dernière Choses Contraires de la saison.
The show has since been archived so you can now listen using the player above.