THE DELAWARE ROAD : RITUAL & RESISTANCE
Saturday 17 – Sunday 18 Aug
I’m honoured to have been invited to play at The Delaware Road festival in August this year. The event is a unique mix of theatre, film, sound & light inside a secret military base near Stonehenge. The full lineup has been announced and tickets are on sale now here.
Based on the graphic novel + screenplay The Delaware Road featuring an incredible line up of experimental artists, film + video producers, sound designers, guest speakers, writers & illustrators.
Gathered inside the austere military complex of New Zealand Farm Camp near West Lavington, artists will perform work inspired by The Delaware Road screenplay, landscape, myth, broadcast propaganda & the transformative nature of sound.
With overnight camping, food & merchandise stalls plus a licensed bar. Performances start at 5pm Saturday.(campers can arrive from 3pm) & ends 3am Sunday morning. The site must be vacated by 1pm Sunday.
Visit www.thedelawareroad.com for further information
Produced by Mark Vernon.
The debut of a new radio production commissioned by Kunstradio will be aired on Sunday 10th February at 11pm European time, 10pm GMT.
Magneto Mori: Vienna is a fragmented sound portrait of the city constructed from found sounds, buried tapes and field recordings. In this de-composition sounds from Vienna’s past and present are conjoined in a stew of semi-degraded audiotape.
This project has been supported through Creative Scotland’s Open Project Funding Programme.
I am currently exploring the amazing facilities at EMS Electronic Music Studios in Stockholm, Sweden. During the 2-week residency I’ll be working on a new 8-channel surround sound work titled ‘Hybelkanin’ (dust bunnies). Named after the Norwegian phrase for conglomerations of hair, fluff and dust that appear out of nowhere in homes, the piece will be composed from field recordings and found tapes gathered from across Scandinavia over the past decade.
Mark Vernon – Magneto Mori: Kilfinane
Release date: 15th February, 2019
Magneto Mori is an exploration of tape recording as a form of memory storage. In this iteration the location is the Irish mountain town of Kilfinane. Using a portable reel to reel tape recorder sounds from around the town were recorded onto the first side of the tape over a two day period – dripping rain, creaky gates, car mechanics, drainpipes, shops, church bells, refrigerator cabinets, wind blowing through the trees, passing traffic, etc. were just some of the sounds encountered.
On the second side were compiled voices of Kilfinane – extracts from the personal radio archives of Diarmuid McIntyre and Grey Heron Media that date back as far as twenty years or more. The recordings selected consisted mostly of local history, coverage of community events, news stories of local interest and interviews with a variety of Kilfinane residents.
This process of recording, emancipation from chronology, burial, erasure over time, unearthing and the reassembly of jumbled fragments for playback parallels the operation of memory and recall. Experience, retention, buried memories, forgetting, distortions, recall and chronological inaccuracies are all aspects of the human memory process. The main difference being that our memory is selective and plays an active role in what it chooses to remember or forget rather than the arbitrary procedures that are in operation here.
Once the tape was cut into pieces there was no way of telling which fragments were which and in the process of splicing the tape back together the voice recordings gathered over a twenty year period became interspersed with the sounds of those two days spent making field recordings in the area.
Further digital recordings were also made around the same location during the period of the tape’s interment. The contrast between these higher fidelity field recordings and the degraded analogue sounds added a further substrata of time to the process.
The final listening event consisted of two parts: A straight uninterrupted playback of side one (aside from occasional tape jams).
Followed by: Playback of the second side combined with a live collage of pre-prepared field recordings made in the intervening days.
Side A and Side B of this cassette tape correspond to these two distinct versions of the piece.
Magneto Mori was first presented at the Kilfinane Convent Chapel as part of the Hearsay Festival on October 1st, 2017.
01 / 11 /2018 – 19:00 @ echoraum / Vienna
Like every year on November 1st, Institut 5haus, Echoraum and for the second time Wien Modern will host the annual Electro-Improv-Night “Noche de los Muertos”, this time, with the title “un-tape me”. The night has been curated by Mexican-born, Vienna-based artist Angélica Castelló and it promises to be a magnetic evening with all kinds of tapes and cassettes, obsolete machines and illustrious guests from Vienna, Glasgow, Marseille, Berlin, and more.
– Jerôme Noetinger / revox, tapes, electronics
– Mark Vernon / found dictaphone and reel to reel tapes
– Marta Zapparoli / tape recorders & reel to reel tape machine
– Wien Diesel feat. burlin mud (r.f. culbertson iii) / tapes
– Angélica Castelló / magnetic altar
Sábado 20-10-2018, Soundtiago, primer festival cuerpo, sonido y espacio
Martes 23-10-2018, Ciclo Relincha, Espacio En Construcción, Valdivia
Viernes 26-10-2018, Radio Valentín Letelier, Valparaíso
Sábado 27-10-2018, Espacio Kulczewski, Santiago
I will be performing a live set at the Old Hairdressers in Glasgow this Thursday 20th September supporting Ben Vince with additional support from Cucina Povera.
8pm, Thursday 20th September, 2018.
The Old Hairdressers, 20-28 Renfield Lane, G25 Glasgow.
Tickets £8 Adv / £10 on the door.
More details here:
New tape album ‘Orphaned Works’ by Mark Vernon - out now on Research Laboratories. Twelve tracks. Limited edition of 30 copies only.
>>> Monaural verbal stimuli of forgotten provenance <<<
Available in the UK from Penultimate Press.
The Glad Cafe, Glasgow
Tuesday, 15th May, 7:30 PM
Tickets £7 in advance
Following her performance at London’s Cafe Oto the previous day I will be playing the support slot for Tokyo/Dusseldorf based artist Miki Yui as part of the Southside Fringe Festival.
Miki Yui creates sonic landscapes emerging out of delicate noises, samples, electronic sounds, and field recordings. Her unique minimalist and organic approach towards sound balances between subtle nuances, industrial hums and turbulent hooks. In her live concerts she invites listeners to take part in mesmerinzing in the acoustic spaces, rich of abstract and narrative sound circulation.
She has released her solo albums from 12K /LINE(N.Y.) and Hören (Osaka). Her 5th solo album “Oscilla” was released in October 2015, on her own imprint MY. New album Mills on Cusp Editions is out this month.