Research Laboratories / RL020 Cassette
New tape album ‘Orphaned Works’ by Mark Vernon - out now on Research Laboratories. Twelve tracks. Limited edition of 30 copies only.
>>> Monaural verbal stimuli of forgotten provenance <<<
Available in the UK from Penultimate Press.
The Old Hairdressers
20 – 28 Renfield Lane,
Tickets £5 Adv, £7 Door
As part of the Old Hairdresser’s programme for the Glasgow International Festival of Visual Art 2018 Vernon & Burns present a night of performance, music and film:
50Hz or thereabouts: Calum Stirling’s 2015 film, made in collaboration with Barry Burns and shot on location in a decommissioned nuclear bunker in the East Neuk of Fife, has been re-edited by Viltė Vaitkutė for this special one-off expanded screening with a live soundtrack by Vernon & Burns.
“We’ve got a new man interested in isolation”.
Toi-so, Christina Dunwoodie and Tony Morris. Two performers coming from wildly different musical backgrounds, collaborating in the deconstruction of the old, reinventing it in a dark, diverse, sinister and sensual world with voice and electronic music.
“Like Nick Cave and Kylie Minogue with a lobotomy or two.” Nick Currie (Momus)
Marta Adamowicz will create a live version of Poludnica – a part soundscape, part drone music performance that illustrates an attack by a mythical summer demon from Slavic folklore.
For more details visit: https://www.facebook.com/events/849874765213624/
PDF of full Old Hair programme available HERE:
Old Hair programme is supported by Glasgow International Festival of Visual Art 2018.
Vernon & Burns with Nichola Scrutton / Ingrid Plum / ShadowPlay / Hardworking Families
The Old Hairdressers, Glasgow.
Sunday, 4th February, £7.
VERNON & BURNS WITH NICHOLA SCRUTTON
Vernon & Burns are a duo of sound makers who create radio plays, records and performances through an innovative mix of samples, field recordings, voice and music. This show sees them come together in a special one-off collaboration with the magnificent composer, sound artist and experimental vocalist Nichola Scrutton, whose work spans a range of self-directed projects and interdisciplinary, participatory collaborations.
Ingrid Plum uses her voice with extended technique, improvisation, field recordings and electronics, to create layered soundscapes, spoken word and songs. Having performed and exhibited installation sound art and visual art since 2002, she creates work that sits between sound art, improvisation, multi-media installation, neo-classical and contemporary Nordic folk music.
Live arts collective Colliding Lines present Shadowplay, a unique, cinematic experiment in live literature. Suspended in a dark auditorium, the audience are alone save for white words projected into the pitch black canvas. Around them a soundtrack emerges; a post-apocalyptic score improvised by sound artists Jacob and Reuben Kyriakides. It is a story about the power of language to make reality and, inevitably, undo it – a story of what happens when stories fail, written in words that are taking themselves apart.
Hardworking Families is Tom Bench’s solo sound-play interrogation. Working with no-input mixer feedback, tapes, objects, and occasionally instruments, intuitive textural adventures will coax your ears with visceral flavours.
Remnant Kings, Cassette (C45, 50/50)
Cosmovisión Registros, 2017
A new limited edition tape only album out now on Chilean label Cosmovisión Registros. Available in the UK through Penultimate Press.
Bits and bobs. Odds and ends. Scraps and leftovers. Remnant Kings takes its name from a Glasgow fabric store that historically dealt in offcuts, end of line textiles and fabric remnants.
The cassette consists of a series of audio collages based around a single found reel to reel tape. It gathers various home recordings from the 60’s and 70’s in a ‘best of’ compilation spanning a twenty year period – a kind of ‘Greatest Hits’ family album in sound. The found tape included, amongst other things; baby talk, a toy railway set, playing and practicing music, bird song, conversation, karaoke style sing-alongs and some home experiments with tape echo, along with popular music of the day.
In addition to the found material other sound sources include whistling, water droplets on a hot plate, broken ice, creaking gates, an electric fan played with a brush, excerpts from improvised sessions with open reel tape manipulation, feedback and electronics plus various other field recordings.