Christmas Rewind

A nostalgic journey through Christmas’s past as we trawl through the archives of found recordings, festive greetings, carol concerts and audio Christmas cards from long distant relatives. Specially commissioned by the Octopus Collective ‘Christmas Rewind’ was a six-channel sound installation created specifically for the bandstand in Barrow Park, Barrow-in-Furness, Cumbria in December 2010.


An extended radio version of this piece was produced for Resonance FM with its first broadcast on Christmas Day, 2012.

Static Cinema

An audio-visual Installation at the Intermedia Gallery, CCA, Glasgow, October – November 2009. The work consisted of multiple slide projectors on timers, an ad-hoc stage with seating bank and a composed soundtrack diffused over four speakers.

A vacant stall at a Düsseldorf flea market re-imagined as a theatre set… the attic of a derelict building, infested with pigeons… a dank, concrete basement in an atelier in Norway…

Static Cinema is an exploration of three evocative spaces captured and interrogated for meaning through the microphone and the camera lens. Each of the locations function as spontaneous mise-en-scène waiting in suspense for an event yet to occur, or an actor still to make their entrance. Through a composed soundscape of field recordings and improvised music, a fictitious narrative develops between these seemingly disparate locales. This is a cinema of the still. The staging of a micro cinema and the projection of the photographs as slides sets up the expectation of motion which is frustrated by the frozen images. The meaning of each image and the relationships between them become contingent on their juxtaposition with the soundtrack at any given moment. Sound becomes the primary medium through which narrative is modulated.


The audio from this installation was later re-worked into an album released as a CD on the Entr’acte label in 2011.

Map Magazine Review


Yesterday’s Tremors

This field recording formed part of a series intended to document the effects of club culture and amplified music on the architecture of the city. It was recorded in 2001 at the rear of the ‘Vic’, the Glasgow School of Art student union.

“I had long been fascinated by the effects that bass-heavy music had on this particular structure, witnessing it first hand on many occasions when passing by at the weekend. Due to age and design the panes of glass would rattle loudly in their frames under the assault of bass, causing more of a disturbance to local homeowners than the music itself. My exploration of this phenomenon took me to the back of the building where I discovered a broken yet intact windowpane. Here, the edges of the shards of glass (held in check by the frame) were ground together in time, but at a slight delay, to the music – I began to trace the cracks of the window with the microphone making audible the miniscule differences in pitch and vibration across its surface.”

Utilising Feonic technology the resonant surface of a glass windowpane was turned into a speaker for playback of the work. The work was installed on the window of the Janitor’s office in the foyer of the Mackintosh building, directly opposite the building where the original recording was made 11 years earlier.


Exhibited as part of the Group Show, The Interzone, Mackintosh Museum, Glasgow School of Art, 3rd – 30th November, 2012.

Circular Thinking

Using interviews and field recordings pertaining to all manner of cyclical processes; circuits, loops, spinning things and rotating machines, ‘Circular Thinking’ is a multi-channel sound work by Mark Vernon and Jenn Mattinson. The piece applies radiophonic production techniques to quadraphonic sound composition and was originally commissioned by the Octopus Collective for ‘The Hub’ – an outdoor ambisonic sound system situated in the town centre of Workington, a small town in the North West of England.

Sourced from across the region of Cumbria, the material used in the composition of the piece includes recordings of a potter’s wheel, a launderette, wind turbines, speedway races, a water mill, bicycle wheels, a clock restorer’s workshop and a tour of the Cranston’s sausage factory where they make the famous spiralled Cumberland ring sausages. As well as a catalogue of revolving and spinning things the piece also charts a timeline of sounds that stretches from artisan handicrafts to the beginnings of industrialisation and present day factories, taking in machinery driven by manpower, natural resources and electrically dependent manufacturing.


‘Circular Thinking’ was premiered at the FON festival in Barrow in Furness in 2015 where it was diffused through the ‘Hear This Space’ sound system with the audience seated in a spiral arrangement in the centre of the speaker array. It was subsequently presented on ‘The Hub’ ambisonic sound system in Workington later that year. The stereo radio version was premiered on Radiophrenia 87.9FM, Glasgow in 2016 and has also been aired on Resonance FM, Radio Revolten, Halle and Deutschland Radio, Germany. The piece was joint winner of the Radio Art category for the 2016 Phonurgia Nova Award in Paris. The excerpt above is from the stereo version of the original quadraphonic piece.

Vestiarium Scoticum

Aeolus / meagre resource / mere018 CD

A Scottish themed CD collaboration with Zoë Irvine produced for Burns night 2003. Field recordings and samples were taken from a wide variety of sources including tacky Scottish souvenir and novelty records from charity shops, found tapes of Burns night readings and football chants. The CD also features Edwin Morgan as a dance caller.

Vestiarium Scoticum was produced as a limited edition of 50 tartan CD’s with hand made tartan pockets in a variety of tartans (Aeolus / mere 018). It was first broadcast on Resonance 104.4 FM on Burns night, 25th January, 2003.

Hairwaves

A radio station, audio CD and publication devoted to all aspects of hair. ‘Hairwaves’ was a collaboration between Zoë Irvine, Mark Vernon and Freight Design with specially commissioned illustrations by Danielle Lemaire. Created from recordings and interviews made in hairdressers and hair establishments between 2001 and 2006, the scope of the project quickly broadened out to include pet grooming, wig making and psychic barbers.

“…from anecdotes blowing hot and cold on the subject of hairdryers, to accounts of the bald facts on barbers. We have snipped and textured, layered, added some highlights and brushed away the clippings so we can now offer up this cautionary tale.”

The publication and CD Hairwaves: a cautionary tale was launched at the CCA, Glasgow with a live, day-long RSL radio broadcast targeted at all salons, hairdressers and barber shops within the broadcast radius. As well as featuring works from the audio CD the broadcast included contributions received from an open call for radio works and music on the theme of ‘hair’.

The original Hairwaves FM radio broadcast went out across Glasgow on 87.7fm on the 8th December 2006.

The CD was featured on Radio 3’s Mixing It and a highlights show aired on Resonance FM later the same year.

No Such Thing as a Quiet Hammer

Vernon & Burns, thinking aloud, offer a quiet meditation on noise. Extracts from interviews with noise pollution officers from Dundee City Council’s Environmental Health Department are combined with found sounds, songs, field recordings and other voices to create this experimental live radio piece. Part audio collage, part documentary this is an unorthodox investigation into attitudes towards extraneous noise and noise pollution.

Commissioned by Extrapool (NL) in 2005 for ‘Audiotoop’ – an evening of live, performed radio plays and Hörspiel. The full programme was aired on Resonance FM in June 2008. A condensed version appears on ‘Play’, a CD and publication produced by Extrapool, 2006:
http://www.kormplastics.nl/Audiotoop.html

The Silver Smokescreen

“When the devil pulls the strings, all the world must dance…”

Constructing an episodic narrative from silent movie intertitles, Vernon and Burns translate grand melodramatic gestures and deadpan pratfall pantomime into the audio realm. Hand-tinted frames of sound, under-cranked audio slapstick and sepia-soaked expressionism for the ear are projected onto the cinema screen of the mind’s eye.

This programme was commissioned by WORM and was produced during a residency at WORM studios, Rotterdam. It was performed live as part of ‘Popular Noise for the Masses’ at WORM, March 2010. The narrator was Giles Bailey.

First aired on Cafe Sonore, VPRO Radio 6, June 12th 2010. Subsequent broadcasts on Resonance 104.4 FM, 2011.

Children of Toasted Cheese

A studio version of a live radiophonic work produced by Vernon & Burns, commissioned by Tramway, Glasgow in 2012. The piece explores the internal space of the subconscious and the logic of dreams. Part documentary, part experimental radio play, it features readings from Barry Burns’ dream diary intermingled with interviews about people’s dreams and sleeping habits set to an accompaniment of sound effects and music.
“I have always been amazed at the way an ordinary observer lends so much more credence and attaches so much more importance to waking events than to those occurring in dreams… Man… is above all the plaything of his memory.”
André Breton

The piece was originally performed on two consecutive nights in October 2012 as part of a triple bill of performances with Lisbeth Gruwez / Voetvolk and Zoe Irvine & Pippa Murphy. The radio version has been aired on Resonance 104.4FM, Basic FM and Soundart Radio.

Textile – split 12″ with Sun

Textile / Textile Vynile Serie 06 – TXTVNL 06 (2003)

12″ Vinyl in Textile‘s split series with Oren Ambarchi’s ‘Sun’ project on the flip.
 


“Deft lo-tek studio compositions mixed with samples and electronics. A fine example of peaked bedroom cassette culture, Hassle Hound show a penchant for live guitar/violin interplay with atmospheric samples. ‘Prudent Meteors’ illustrates the meeting point between idle nursery rhymes and Harry Partch, seek out. ” [4/5] Audiosports

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